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INTERNATIONAL PUPPETRY MUSEUM

formerly The Conservatory of Puppetry Arts (COPA)
1062 N. Fair Oaks Avenue - Pasadena, CA 91103- telephone & fax: 626-296-1536


Gayle Schluter
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WHO IS GAYLE SCHLUTER?
Everybody in puppetry knows Gayle Schluter. She has served on national, regional and local boards and festival committees, providing invaluable leadership and organisational skill. Puppeteers are a part of her are family. Her home is always open to them for parties and meetings and a place to stay. It is her way of getting puppeteers to know each other better and exchange ideas.
Her interest in puppets began with a WPA* project in Glendalewhen she was a girl in the 1930's. Many artisans were introduced to puppetry in this way. She made a paper mache' head, her dad put the body together and her mom sewed the costume.

As an adult, her main priorities were helping her husband, Don become a CPA and raising her two sons.

Puppetry came back into Gayle's life when she enrolled in classes in Pasadena, taught by Harry Burnett puppet maker and performer for the Yale Puppeteers at the famous Turnabout Theater. Gayle's first large puppet under Harry's tutelage was a Santa Claus she still proudly keeps. She developed a close friendship with Harry, who she often invited to her home. Later, she went to his home for classes.

She and her sons performed together. She worked with Betsy Brown, doing shows at the Balinese Shop in Pasadena. She also did birthday parties with lap puppets. In the 80's she was the spark for the Pasadena Assistance League antismoking and anti drug puppet shows. With her talent for getting people involved she induced the best puppeteers in America to make puppets, propsand sets and help the ladies learn to perform. She worked with the League for a number of years.

Gayle joined the local puppet organization, the Los Angeles Guild of Puppetry, right after the first West Coast National Festival at UCLA in 1957. She has served as an officer in the Los Angeles Guild every year except one. She also became a member of the national organization, Puppeteers of America. Her first office in the P.of A. was Executive Secretary. She has been a very dedicated vounteer serving in every official capacity except President. She has also served as Regional Director several times, National Festival Director for the first San Louis Obispo Festival, on the National Board eight years and as Membership Chair 24 years. For her many years of service, she has been honoured with a Life Membership in Puppeteers of America and Life Membersip in the Los Angeles and San Francisco Guilds. Husband, Don has donated his skills as financial advisor to the P. of A. He has given valuable assistance at festivals and worked behind the scenes on guild, regional and national projects.

Gayle says she first got involved with IPM when a group of dedicated people were trying to form the organization at a series of meetings at Cal State L.A. She started volunteering because she wanted to be included in the decision making and advancement of this exciting and important project, one that would reinforce and advance the art of puppetry on the west coast.

Gayle and Don are a very special couple who have dedicated a large portion of their lives to puppetry, and in the past few years, to IPM. Gayle is generous, hard working, a skilled recruiter, a motivator and a great cook and hostess. Don is her greatest supporter. IPM and the world of puppetry wouldn't be the same without them. They are proud to have puppeteers as friends and we are extremely proud to call Gayle and Don our friends.

What her IPM friends say: . . .

"We first met in the old Scattergood days. She got me involved in revamping a PTA show she was working on with her sons. She was sort of shy in the beginning, but gutsy enough to keep going anyway. She's a great friend to me and to everyone. Every time IPM has a critical situation and we think we may not make it, she has a party and gets things going again." ---Alan Cook . . .

"I met Gayle because she needed a roommate at a festival. Her greatest ability is getting people involved for a cause. I remember the Washington D.C. National Festival. I had planned to stay for some sightseeing after the Festival, instead, Gayle got me working on cleaning-up the registration stuff. I didn't see much of D.C. but I've been working with Gayle ever since, and now we work together to support IPM." ---Evie Brown . . .

"She's so generous with her home and her culinary skills. Everyplace you go she brings food, and if you say you like it she'll be sure to have it at the next thing you attend with her. I admire her ability to learn and work hard for what she believes in. She isn't afraid to works and always gets the job done."--- Jackee Marks. . .

"Gayle is like a big sister to me. I've known her since I was about 12 years old. My kids had birthday parties at her home, she's shared her cooking skills with me and supported and encouraged me in all that I've done over the years. If you're > working with Gayle, on a project, you work really hard, but she makes it fun, and of course she feeds you well." ---Beth Fernandez...

While none of us can really know another person, we do know that Gayle has dedicated a huge portion of her life and her time to puppetry, that she is generous, hard working, a skilled recruiter, a motivator and a great cook and hostess. We know that she and Don are a very special couple. We know that IPM and the world of puppetry wouldn't be the same without her and her best friend Don. She is proud to have puppeteers as friends and we are all extremely proud and grateful that for them.

*WPA was the work Program Administration under President Roosevelt to put artists, including puppeteers to work during the depression in the 1930s. Artists, actors and puppeteers got jobs teaching, giving shows, doing muralsin post offices, etc. They were paid by the government. Some of the puppets in the IPM collection were made by puppteers and students during that time.

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